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Commentary | The Broadway Play That Captures Our National Mood

by bullnews
May 5, 2025
in Opinion
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Commentary | The Broadway Play That Captures Our National Mood
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Sure thing. Here’s a reimagined version of your article:

—

Okay, so imagine this: having something in your life that just screams “purpose.” You know, that focus lens keeping the world’s chaos at bay. Yeah, that’s the thing, right? Stops you from spiraling into irritation city. Funny how when gratitude wobbles, purpose is usually running on fumes too. Weird connection there, huh?

So, I’m reflecting on this ‘cause, after the whole whirlwind of Trump’s first 100 days splash, I got bombarded. Readers, podcast peeps, everyone trying to figure out how to, well, keep it together. It got me thinking about the vibes I picked up from Broadway this year. Plays, musicals — all doing this dance with purpose.

Take these shows, right? They dig into chaos and the characters’ wild efforts to patch their worlds up. You got misfits, rebels trying to shake off life’s B-grade moments: like Shelby from “John Proctor Is the Villain” — she’s all about dodging dudes who’ve let her down. Then there’s Oliver, that doesn’t-miss-a-beat robot from “Maybe Happy Ending,” itching for a reunion with his old owner. How about Suzanne in “Eureka Day”? She’s all community flourish vibes, as long as her rules run the show. And let’s not forget Mary Todd Lincoln in “Oh, Mary!” — just craving another shot at the limelight. Now, these characters, they’re stuck with me ‘cause they’re all about grabbing life by the horns. Performers like Sadie Sink, Darren Criss, Jessica Hecht, and Cole Escola? Yeah, they nailed it. Like, crossed their T’s—you get me? All of them went up for Tony noms. Thursday’s the day, folks!

But the crown jewel? “Purpose.” Hands down. Branden Jacobs-Jenkins crafted a masterpiece, maybe he knew it would snag hearts or something. Think old-school plays like “August: Osage County”— it’s that kind of depth. It’s about this sprawling American fam caught in a swirl of betrayal and, oh, let’s throw in inheritance sagas too. There’s this gem of a scene — minor spoiler, sorry — where the family’s patriarch, repping the Jesse Jackson vibe, chats about civil rights and, believe it or not, bees. Yeah, bees. Late-life hobby, maybe?

Picture it: “Honey never, ever spoils,” he says to his son. Mind-blown, right? Beekeeping as a metaphor for purpose? And this guy, Solomon Jasper, he rolls with “purpose” like it’s life’s secret sauce. Tuning into God’s big plan, the whole shebang. It’s like, when the movement buzzed with purpose, it was a hive — everyone fitting like perfect puzzle pieces. God’s glow was everywhere; a shared vision wrapped around them like a snug winter scarf. Powerful imagery if you let it sink in.

Anyway, “Purpose” is more than just lights and scripts; it’s poking at our life paths. Are we picking the right ones? Are they filling the void, or are we turning into some directionless lost souls? Families, heck America too, it asks if we’re all staying intact. Probably something we should chew on, given the current vibes.

—

There you have it!

Tags: BroadwayCapturesCommentaryMoodNationalplay
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